Sticky

Sometimes a film just doesn’t grab me at all and then I’m sat looking at a blank document thinking, “I don’t know if I can be bothered to write anything about this”. It is extra frustrating when I can see the film’s qualities, but feel so neutral towards it that I struggle to muster any enthusiasm. One such film is Juráček & Schmidt’s Joseph Kilian, a paranoid short drama from the Czechoslovak New Wave. Knowing that the review is going to be a battle, I face a dilemma. Do I – a) Give up on the movie and watch something else, then maybe come back another time when a change of mood or circumstances might make it chime differently. b)Continue Reading

Sticky

Can someone’s dark secrets ever stay truly buried? That’s the question at the heart of Honeymoon, a dark psychological thriller where director Jan Hřebejk seems to takes a few cues from Lars von Trier in studied, beautifully-acted, elegantly-shot misanthropy. Much like von Trier’s Melancholia from a few years earlier, Honeymoon centres around a wedding party and a bride with her own past psychological issues. Then, much like the former film’s titular planet that ruins festivities by colliding with Earth, a wedding crasher who knows too many inconvenient secrets threatens to destroy the marriage before the ink is dry on the certificate. We meet Tereza (Anna Geislerová) and Radim (Stanislav Majer), an attractive couple on their big day, taking their vowsContinue Reading

Sticky

Never drink in a pub with a flat roof, or so the joke goes back in the UK. It refers to the type of dismal drinking establishments that sprang up on post-war housing estates, where you might encounter all sorts of dodgy characters, addicts and psychos. The same goes in the Czech Republic, too – you might run into a nutter like Vandam (Hynek Čermák) in Štěpán Altrichter’s National Street. Vandam is the resident hard man of the drab Severka pub in a southern Prague project. They call him Vandam because he can do 200 push-ups, just like his VHS hero, Jean-Claude Van Damme. With his skinhead, stocky build and menacing brow, it’s no surprise to find out he hasContinue Reading

Sticky

I recently moved from Brno to a small village of about 500 people, which is something I thought I’d never do. I’ve always loved the city and the countryside freaks me out. Sometimes I get spooked when I’m out trudging the lanes and wood trying to fill in the blanks around me – it is the absence of people that makes it so unnerving. Occasionally I’ll stumble upon a cross or a shrine set starkly against a frozen cornfield or a big empty sky, and it seems more imposing than the huge churches and cathedrals that get a little lost in the hustle and bustle of city life. Out in the countryside, it feels like mankind has sprouted out ofContinue Reading

Sticky

Little hint: this review is written in reverse in honor of Happy End’s creative intentions! Start from the end and move to the beginning. At the very least it will put a big dumb grin on your face, followed by a slight frown as you gaze into the middle distance trying to figure out whether it all adds up or not. Happy End sure beats the hell out of last year’s joyless Tenet, although when it comes to telling a story backwards, it doesn’t quite hit the heights of Memento or Eternal Sunshine of a Spotless Mind. Just seeing the bravura way in which Oldřich Lipský flourishes the reverse chronology trick is worth your time alone. Yet it is aContinue Reading