Lee Adams

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World War II has provided inspiration for movies for over 80 years now, with a seemingly inexhaustible supply of incredible tales. Sometimes I wonder, though, when I see a film as weak as Once Upon a Time in Paradise, whether the well is drying up and people are starting to run out of ideas… That may seem unfair on the source material, Josef Urban’s novel and the true story that inspired it. It sounds like rousing stuff on paper – a talented rock climber hides from the Nazis in the wilderness, evading capture for years – and maybe that is where it should have stayed. It was a similar situation with the Laurent Binet’s page-turner HHhH – an intensely grippingContinue Reading

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Director Karel Kachyna gets his metaphors in early in Forbidden Dreams, otherwise known by its more evocative Czech title, Smrt krásných srnců (The Death of Beautiful Deer). Mr Popper (Karel Heřmánek), a Jewish vacuum cleaner salesman who can’t stop hopping into bed with his female customers, is out fishing in the countryside with his two eldest sons. Through his binoculars, he spots a herd of deer and he is struck by their beauty – but also spies danger threatening in the form of a hunting dog bearing down on the innocent creatures. The dog belongs to their grumpy uncle Karel (Rudolf Hrušínský), who loves getting his teeth into some freshly savaged venison. Mr Popper regards killing a deer as almostContinue Reading

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The cinematic threequel is often a recipe for disappointment. The Jaws series had already jumped the shark before the third instalment fouled the water with its cheesy 3D money shots. Francis Ford Coppola waited 16 years before giving us a belated conclusion to The Godfather trilogy – it was an offer everyone was quite happy to refuse. Alien 3 has its defenders but it basically poured cold water over Ripley’s heroics in James Cameron’s rip-roaring second film, turning the franchise into a massive bummer. Of course, there are some great ones too. Return of the King completed the coronation of Peter Jackson’s Award-festooned adaptation of The Lord of the Rings. On the indie circuit, Before Midnight capped off Richard Linklater’sContinue Reading

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Apart from being a familiar face in many of the Czech movies I’ve watched over the past two years, Bolek Polívka is omnipresent in my adopted hometown Brno. He stars in public service videos on the trams and peers out of billboards advertising his latest stage performances and is often spotted drinking in the bar at his theatre, Divadlo Bolka Polívky. His ubiquity also serves director Jan Hřebejk well in his hat trick of turn-of-the-century hits: Cosy Dens, Divided We Fall and Pupendo. A bittersweet comedy set in the early ’80s, Pupendo makes an entertaining companion piece to Cosy Dens. They focus on life under Communism, centred around families headed by two very different men, both physically and ideologically. PolívkaContinue Reading

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Tomáš (Richard Krajčo) is possibly the movie-est movie optician in cinema history. He is a brooding tattooed hunk with rockstar looks who lives in a snowbound caravan just outside the Globus superstore where he works. With only his beloved horse to keep him company on those lonely nights spent listening to vinyl while looking smoulderingly handsome, he also juggles several affairs with local married women to fend off the solitude. He is always getting drunk and late for work, but that doesn’t matter – his boss is in love with him too. The only woman he shares a platonic relationship with is Nina (Vica Kerekes), a forlorn girl who works on the gift-wrapping counter, which must suck because she hatesContinue Reading

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While many Christmas movies in English-speaking countries tend to focus around the festive season and sometimes feature a jolly chap with a white beard and red winter gear, Czech festive viewing often centres on fairy tales. There is a long tradition of TV and film adaptations, from The Proud Princess (Pyšná Princezna) to the classic Three Wishes for Cinderella (Tři oříšky pro Popelku). More recently, the popular father-and-son team of Zdeněk and Jan Svěrák got in on the action with Three Brothers, a cheerful fairy tale musical for kids that weaves together three very familiar tales. Svěrák Sr, who wrote the screenplay, has a nice role as the Teacher, a kindly scholar serving as the film’s narrator. In one ofContinue Reading

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Here is the thing about Christmas films – most of them suck.  There are very few true classics, which is why I’m really glad that Die Hard has entered the conversation over the last couple of years. Not only is it an awesome movie, but it is also very Christmassy, once you come to accept it as a legitimate choice as a Christmas flick. I’ve yet to feel any Christmas tingles this year, so I thought I’d check out some of the Czech festive offerings on Netflix to see if any of them would put me in the mood… First on my list was Little Baby Jesus (Prijde letos Jezísek?), a romantic comedy from Lenka Kny. As someone leaning moreContinue Reading

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Reader, I screwed up. It was deadline day for my latest review and I was up against it, having just moved into a new house in the countryside. The place doesn’t have a working kitchen, bathroom or heating system. As I type this, I’m pressed against an oil radiator wearing four layers of clothing and a blanket wrapped around me. In desperation, I reached for a movie to review on Netflix. Only when I got to the end did I realise that it was a Slovak film. Perhaps the cold has got to my senses. While I don’t speak Czech, I have lived in the country long enough to tell the difference between the Czech language and Slovak. But notContinue Reading

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Right from the get-go, we know Petr “Cobra” Šťastný (Kryštof Hádek) is trouble. We open with a scrolling shot of summer cottages. It is a quiet day apart from birdsong and the distant sound of someone mowing grass. Against this peaceful backdrop, we see Cobra, strutting along with purple hair, a camo jacket and a pair of bolt cutters strapped to his back. We don’t know what his situation is yet but he’s wired, a bundle of nervous energy. He then proceeds to break into a cottage, steal all the electrical goods and make off with his loot, all under the nose of an elderly neighbour. Cobra is one half of the Snake Brothers, two guys in their thirties tryingContinue Reading

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There is an old Les Dawson joke that goes like this: I said to the chemist, “Can I have some sleeping pills for my wife?” He said, “Why?” I said, “She keeps waking up.” That is pretty much the attitude of the main character in Tiger Theory, Radek Bajgar’s dramedy about a sixty-something who finds an unconventional way of leaving his controlling wife. Jan Berger (Jiří Bartoška) is a veterinarian. We first meet him as performs the snip on a tomcat, much to the gratitude of its female owner. It’s a none-too-subtle metaphor for the film’s central thesis, in that most of the male characters feel emasculated by their wives. The only guy who doesn’t has a problem with hisContinue Reading