The first two names always given at the top of the pantheon of Czech classical music are Antonín Dvořák and Bedřich Smetana; the third is invariably Leoš Janáček. Probably the most innovative of the three, Janáček likely lags behind the famous duo only because even today, 80 years after his death, musicians, musicologists and music lovers are still reassessing those innovations, which took classical music into uncharted territory.